Performances in N.Y.C. Advertisement Supported by Fall Preview Osvaldo Golijov’s Lorca-inspired opera comes to New York, and the pianist Igor Levit plays with the Cleveland Orchestra, among other ...
Described by acclaimed violinist Daniel Hope as a “tremendous talent”, the 25-year-old Berlin-based cellist gained ...
With her emotion-evoking operatic range and soprano heights, Dominican opera singer Zuly Inirio is challenging whose voice is embodied and heard throughout the genre. She first saw an opera — “La ...
This is read by an automated voice. Please report any issues or inconsistencies here. No one needs reminding that 2025 began in an L.A. aflame. Musicians didn’t escape the fires, especially in ...
A new opera series is forming in Detroit amid the rapidly growing divide between contemporary and traditional opera lovers, and is throwing down the gauntlet for old-school opera with a classic ...
“Tomorrow, and tomorrow, and tomorrow.” The opening words of Macbeth’s famous soliloquy come to life this weekend as three performances of a combined opera, ballet and classical music production based ...
Outside Washington, the classical music industry suffers the usual ups and downs, shocks and bumps, with layoffs at the ...
Add Yahoo as a preferred source to see more of our stories on Google. What follows are some of my favorite musical memories from the past year. But if I can inspire you to remember just one thing from ...
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How classical music influenced modern film scores
Close your eyes for a moment and think about the most memorable movie scenes you've ever watched. Chances are, you're not ...
“The Classical Style: An Opera (of Sorts)” subverts expectations of the genre by making fun of classical composers typically featured in these concerts. The show, written by librettist Jeremy Denk ...
Exclusive to the app, Listening Guide is a groundbreaking new feature that takes users inside a notable work of music as they listen, highlighting details and explaining a work in real time as it ...
Readers discuss ways to rescue the industry. To the Editor: Re “Stop Mutilating Classical Music to Sell It to Kids,” by Evan Shinners (Opinion guest essay, Jan. 23): Mr. Shinners’s essay makes an ...
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