Making his directorial debut, Chisholm enfuses each scene with messaging, sometimes overt and sometimes more subtle, but always there. There is no wasted dialogue, no wasted action. Even seemingly ...

From left, Seth Hill, Simon Kiser and Gary L. Perkins III in “P.Y.G., or the Mis-Edumacation of Dorian Belle.” (C. Stanley) Review by Nelson Pressley Comedy isn’t pretty when an audience is slow to ...

There are two specific places in Tearrance Arvelle Chisholm’s P.Y.G. or the Mis-Edumacaton of Dorian Belle that are likely to change every time this play (which premiered in Washington, D.C., this ...