Of the six operas that comprise San Francisco Opera's fall 2009 season, Richard Strauss' Salomé is the outlier — a production that, by design, represents something of a departure from the musical and ...

Director Claus Guth’s production of Salome at the Metropolitan Opera is heavily laden with psychoanalytic symbols. King Herod’s titular stepdaughter, dressed in a Victorian-era children’s dress ...

One of the biggest challenges opera companies face is balancing their audiences’ unquenchable thirst for seeing the same dozen or so classic works with the need to present less-known and newer works ...

Performances in N.Y.C. In Strauss’s “Salome,” is the Dance of the Seven Veils a seduction? A striptease? A cry for help? Watch some memorable versions from its long history. Manon Fleur Antonio and ...

Staged in deepest black and dingy white, Guth’s production is unapologetic in its symbolism. It opens on a girl playing with a doll in relative silence. She breaks off its arms moments before that ...

Richard Strauss’s “Salome” has been described by opera singers, conductors, critics and fans as one of the world’s most thrilling, fast-paced and visceral works in the repertoire. And yet, the ...