Forget Arcadian landscapes and Corinthian columns. Oliver Mears’s new production of Handel’s Semele remoulds Greek myth to a 20th century manor house where mortals are servants of Gods who lounge ...
The style that guides the creepiness, with an ominous fireplace central in Annemarie Woods’ pointedly chilly, unpretty designs, isn’t always there in the singing (Woods, incidentally, also designed ...
Some results have been hidden because they may be inaccessible to you
Show inaccessible results