As mystifying as his 2004 sci-fier, "Primer," albeit for entirely different reasons, Shane Carruth's "Upstream Color" is a stimulating and hypnotic piece of experimental filmmaking. “Primer” fans and ...

One of the highlights of January's Sundance Film Festival was "Upstream Color," the long-awaited second feature from writer-director Shane Carruth. Carruth's low-budget time-travel tale "Primer" ...

Filmmaker Shane Carruth’s micro-budget breakthrough “Primer” was a dense, realistic time travel drama of the sort nobody had seen before. Judging by his long-awaited second feature, “Upstream Color,” ...

Carruth and co-editor David Lowery don’t construct Upstream Color in the way of a typical Hollywood film. There is no such thing as a scene or an act in Upstream Color. The film is very much a kind of ...

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Rollo Tomasi is a Connecticut-based film critic, TV show critic, news, and editorial writer. He will have a MFA in Creative Writing from Columbia University in 2026. Rollo has written over 700 film, ...

“Upstream Color” is as enigmatic as filmmaking gets — not in a casual way, but determinedly, even willfully. Being completely understood at first glance is not on creator Shane Carruth’s agenda, but ...

Rollo Tomasi is a Connecticut-based film critic, TV show critic, news, and editorial writer. He will have a MFA in Creative Writing from Columbia University in 2026. Rollo has written over 700 film, ...

When Shane Carruth’s Upstream Color premiered at the Sundance Film Festival in 2013, one of the only available promotional images for the film was a pitcher of ice water. The pitcher sat on a table ...

The Museum of Modern Art and the Film Society of Lincoln Center have jointly announced seven official selections for the 2013 New Directors/New Films Festival (ND/NF), which runs March 20–31, 2013.

Writing about the plot to Shane Carruth’s Upstream Color is a bit of a crapshoot. It’s not because I’ll be giving away any spoilers, but because you will likely think it sounds ridiculous — and I’d ...