31 x 21 cm. (12.2 x 8.3 in.) Subscribe now to view details for this work, and gain access to over 18 million auction results. Purchase One-Day Pass ...

Have you ever imagined taking a sledgehammer to a building, peeling back the layers to see what’s really under there, exposing what works and what doesn’t? Gordon Matta-Clark did, slicing with abandon ...

NEW YORK — The small Bronx Museum of the Arts regularly punches above its weight. It is doing so again with “Gordon Matta-Clark: Anarchitect,” a streamlined exhibition of the work of this ...

31.5 x 47.5cm; 39 x 26.5cm; 32 x 48cm; 33 x 48.5cm.Frame47 x 62.5cm; 54 x 41.5cm; 47.5 x 63.5cm; 47.5 x 63.5cm ...

There is something both elegiac and death-defying about Gordon Matta-Clark’s work. The short-lived Matta-Clark (1943–1978) is most famous for cutting huge sections out of decrepit buildings, graceful ...

MattaClark was invited to create Conical Intersect for the Paris Biennale in 1975 For this piece he cut a giant conical shape into two adjacent seventeenthcentury buildings designated for demolition ...

In 1975, Gordon Matta-Clark, dangling from a beam on a scrap of plywood sheeting, used an acetylene torch to cut an airplane-size crescent in the steel wall of an abandoned warehouse on New York’s ...

In 1976, when Gordon Matta-Clark shot out the windows of the Institute for Architecture and Urban Studies in New York, he wasn’t making a performative aesthetic gesture — he was engaging in an act of ...

I met Gordon MattaClark at the 1975 Paris Biennale He was looking for a place to make a piece I led him to a building across the street from my place on rue Beaubourg that I had been taking photos of ...