Creative director Ian Griffiths telegraphed a medieval mood with robe-like coats, austere tunics and tall suede boots lined with metal rivets.
Max Mara Fall 2026 at Milan Fashion Week sees Ian Griffiths draw on medieval history, the 101801 coat and the House archive.
Crimson Capes doesn't push the Soulslike to new heights, but it proves the genre's elasticity ...
The Newgen catwalk space at 180 Strand has transformed over London fashion week: from Marie Lueder’s medieval rave to Tolu ...
UNC alum Gavin Whitehead hosts a podcast on New York renaissance man Raven Chanticleer, who opened Harlem’s first and only ...
An aesthetic born on TikTok uses veils, silence and subtraction to push back against the saturation of the online gaze.
It’s been called a love letter to Italy and a grand tour through the nation’s history and culture. The Dolce&Gabbana fashion ...
Margaret Atwood's fiction tells of future worlds plagued by totalitarianism, environmental collapse, and global pandemic. At 86, she looks not forward but back at her her own life in a new memoir.
Marine Le Pen’s party is concocting plans to replace a vital, vibrant arts scene with a retrograde movement that would glorify the country’s past, says Guardian Europe columnist Alexander Hurst ...
Empresse Atelier and digital art pioneer Laurence Gartel unveiled a visionary collaboration . “This collaboration is ...
"The Traitors" EPs on casting Michael Rapaport and Colton Underwood, Donna Kelce as the Secret Traitor — and protecting the cast from online bullying.
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